St. Louis Regional Arts Commission

Criteria for Review

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Program Support
(most groups)
Operating Support
 

All criteria are important in grant review and should be addressed in the program description of your application.

PROGRAM SUPPORT CRITERIA

  1. QUALITY OF PROGRAMS

    • Involvement and compensation of professional artistic/cultural personnel in the planning and implementation of programs/events.
    • The qualifications, background, and experience of the artists involved.
    • Reviews and other support materials.
    • On-site visits by Commissioners, citizen panelists, and Commission staff.
    • The organization's commitment to improve the quality of its programs.
    • Whether attendance and support has increased.

  2. EXPLORATION OF INNOVATIVE IDEAS AND PROGRAMMING

    • The organization's willingness to develop programming that encourages freedom of artistic expression and that stretches established views.
    • Engagement of young and/or emerging artistic personnel.
    • The organization's production and/or presentation of new work as evidenced by commissions and premieres.

  3. CULTURAL DIVERSITY

    • Demonstrable effort to involve diverse individuals defined as those of diverse race, ethnicity, socio-economic status, gender, age, sexual orientation, religion and those with disabilities on artistic, technical, administrative, policy, board, and audience levels.
    • Assessment of diversity section in this application and, for past constituents, assessment of diversity report submitted with final report.

  4. COMMUNITY OUTREACH

    • Programming that is accessible to a variety of diverse populations.
    • Community participation and diversity of audience.
    • Promotion of further understanding of an art form to a diverse audience. This includes collaborations with other groups, lectures, use of alternative performance spaces, and/or implementing an arts education component.

  5. MANAGEMENT CAPABILITY OF BOARD AND STAFF

    • The board's/advisory committee's activity in fund raising, including individual board contributions, and in setting policy.
    • The qualifications and background of the staff.
    • Staff competence (i.e. preparation of accurate reports and budgets, design and implementation of quality programs).
    • Board/advisory committee and staff involvement in short-term and/or long-range planning.
    • Whether the proposed program is in line with the objectives of the organization.
    • Completeness and accuracy of the grant proposal.
    • Administration of previous grants, if applicable.
    • Whether the composition of the board and staff reflects the diversity of the community the organization serves.
    • Manner in which the organization responded to previous grant stipulations and recommendations.

  6. NEED FOR THE PROGRAM IN THE COMMUNITY

    • Community interest in the program as shown through letters of support (limit this to three letters of support).
    • How the program will serve audiences in St. Louis City and/or County.
    • Whether the program is promoting an art form that creates new opportunities for the community/neighborhood or is developing an audience in St. Louis.

  7. FISCAL HEALTH OF THE ORGANIZATION

    • Balanced budgets and plans for financial stability.
    • A diverse base of financial support through earned income, private giving, and government support.
    • An active fund raising program.
    • The ratio of Commission support requested to funding from other sources.
    • Whether the program can be produced with the available resources.
    • Ability to raise matching funds.
    • Clear and accurate financial records.

  8. COMMUNITY / NATIONAL IMPACT

    • Local or national recognition for excellence.
    • Contribution to the quality of life in the community through providing opportunities for participation.
    • Contribution to the overall cultural climate of the St. Louis region.

CONSORTIUMS:

If you are applying as a consortium (three or more organizations), please address the following criteria in your narrative:

  • the purpose of the consortium, including concrete, attainable goals/objectives, shared vision, and a unique purpose
  • each consortium member's role(s) and responsibilities
  • resources which include sufficient funds and a designated convener
  • the decision-making process
  • the evaluation plan which includes process evaluation and results evaluation
  • a demonstration of how evaluation is built into the program

PUBLIC ART:

If you are applying for public art support in Program Support I, II or III, please respond to the following questions in your narrative:

  • Describe the planning process for this project. Who is (or will be) involved? Provide a detailed timeline for the project.
  • Describe the artist selection process. Attach a copy of your Request for Proposals (RFP).
  • How is the community involved in the selection of artwork? What community education activities are planned?
  • Describe the evaluation process for the project.

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OPERATING SUPPORT CRITERIA

  1. ARTISTIC MERIT

    • Artistic quality.
    • Level of innovation and risk-taking in programming and artist selection.
    • Vision and leadership of the artistic staff.
    • Production / presentation of new work.
    • Involvement and compensation of professional artistic / cultural personnel in planning and implementation of programs / events.

  2. COMMUNITY / NATIONAL IMPACT

    • National recognition for excellence.
    • Contribution to the overall cultural climate of St. Louis.
    • Economic impact on the region.
    • Number of programs / events offered annually.

  3. EFFECTIVE AND ACCOUNTABLE MANAGEMENT

    • A governing board that demonstrates active leadership by:
      • Guiding the vision and mission of the organization through planning.
      • In concert with staff, setting policy and approving and monitoring programs and services.
      • Assuring secure financial management including approving annual budgets and routinely reviewing fiscal operations.
      • Actively seeking and securing needed financial resources.
    • Fiscal responsibility.
    • Diversity and balance of funding sources as evidenced by both earned and unearned sources from the public and private sectors.
    • Effectiveness of administrative staff.

  4. AUDIENCE DEVELOPMENT

    • Quality and scope of outreach and educational programming efforts.
    • Evidence of a growing audience.
    • Collaboration with other organizations.
    • Effectiveness of marketing efforts.

  5. CULTURAL DIVERSITY

    • Effort to involve diverse individuals, defined as those of diverse race, ethnicity, socio-economic status, gender, age, sexual orientation, religion and those with disabilities, on artistic, technical and program levels.
    • Efforts to include diverse individuals on administrative and policy levels.
    • Efforts to reach new and diverse audiences and under served populations.
    • Efforts to explore new strategies including collaborations with other organizations.

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