
A member of our SLSO posted a link to this blog on his FaceBook profile, and when I took a moment to read it, I found myself staring into space for almost 20 minutes. Why does Art, in any form, matter? It does, we know that, but this is a rich exploration from an artists perspective. Worth a read, and our "gift" to you this holiday season. Happy Holidays, and Happy Reading. Art, does indeed, matter.
There is a richness to the arts offering in St. Louis during the Holidays. It's really a treasure. While natives may take it for granted, it's not so in other towns. The obligatory concert here and there, and maybe a holiday-themed show or two are standard fare. But in our 'Lou, arts organizations pull out all the stops and give us a festive feast!
I admit, I am a big fan of Dickens. Though Pickwick is my favorite, A Chrismas Carol is as good a way as any to get into the spirit. We went to see it at the Fox last night and it was a really nice performance. I think, though, that my preference is still the play version. But the story, with carols incorporated, was a wonderful way to get in the spirit. "Scrooge" played for humor which was really fun to see, giving this version a lightheartedness that I think Dickens needs to truly be appreciated. He was, after all, the ultimate Victorian smart-ass.
Handel's Messiah is on tap this weekend at Powell Hall. Anyone who wants to see it done right needs to get on down to the SLSO and catch it. While it's not something I'm personally fond of, the SLSO production is a sight to see. It's one of those things you should see at least once in your life. There is power and majesty to spare in Handel's marvelous music which the musicians give a luster all their own. If you're going to see it, see it this weekend.
Another nugget is the spectacular Holiday Brass concert coming up next week. The sounds of the best brass players in the city, including the SLSO's own Principal Trumpet Susan Slaughter, ringing through the gothic rafters of the Cathedral is an incredible experience.
There's more merriment to be had, use ArtsZipper to find all the holdiay nooks and crannies. Like Blind Boys of Alabama at the Sheldon, or the Nutcracker at the Touhill, Erin Bode's Holiday concert at Mad Art (she was just at the Sheldon with David Halen, it was great!) or A Christmas Story at the Rep. And if you're really feeling spontaneous, drop in on one of the local high school productions, choir concerts abound.
Jazz or Blues? Or both? I'm not sure I know the difference, though I'm sure wiki or Nicholas Payton could tell me. All I know is that there's a haunting overtone to blues music that defines it for me. While jazz, just has free-wheeling zing in it, sometimes lurking outside the melody, but it gets you moving. That's me, that's how I hear it. Which is why I had a great time at the library listening to Nicholas Payton's latest album "Into The Blue." There was a little of both on that album. Payton will be at the Sheldon for a one-evening performance on November 7th. His trumpet is a smooth highlight, slipping in and out of the songs, a little energy here, a little counterpoint there. It's pretty beautiful stuff, some of it delightfully unexpected, though most of it is pretty snazzy with his trumpet dancing with some strong rhythms and carrying phrases that will sound spectacular in the Sheldon (with all due respect to the public library's audio equipment). And go a little early to the Sheldon, dig a little deeper into the heart of the music by stopping into the Legends of St. Louis Blues Music exhibition in the History of Jazz Gallery. Payton may be from New Orleans, but there's always little bit of St. Louis in anything that sounds like the blues, no matter how you define it.
Nicholas Payton plays the Sheldon on Saturday night, November 7th at 8pm. Tickets available at Metrotix
More than 15 years ago, I went to a Van Gogh exhibit at Atlanta's High Museum of Art. The chance to get up close to the works you see in textbooks, and watch the progression from darker paintings to the wondrously colorful subjects he painted later in his short life was mesmerizing. You get much the same experience at "Van Gogh: Brush With Genius" the new film at the OMNIMAX Theater at the Saint Louis Science Center, though not at your own pace.
The 45-minute film traces the 9-year period when Van Gogh produced his art. Using his personal letters, narrated with snippets of film shot of the landscapes that inspired him, and the paintings that resulted, it brings a magnifying glass to the brushstrokes that made him famous.
The use of the OMNIMAX format to tell this story is an interesting approach. It gives a shockingly close view of the brushstrokes and layers of color used to create his paintings. More than anything, it shows the meticulous detail and the texture of the oil paints that make the images so memorable. It's that incredible blend of color, that you often don't even realize is there, until it's looming over your head that gives the film its impact.
Vab Gogh: Brush with Genius shows daily at 10am, 1pm and 4pm. Tickets are $8 for adults and $7 for kids and seniors. Visit www.slsc.org to purchase in advance, or purchase at the Saint Louis Science Center ticket windows.
It has been years (lots of them) since I saw Phantom of the Opera. At the time, I was a near-broke student in London, and sat on a freezing sidewalk after taking my last final, in line all day for turnbacks, blowing what I had just reclaimed after selling my textbooks, to see the show. I went back to the US 2 days later with about $3. And wow, was it worth it. The soaring music is what grabs you, but the visuals are what make the show spectacular. There is a richness to the staging and iconic set pieces that stay with you. Which is why I was absurdly curious when the publicity folks at the Fox invited me backstage to see "the murals." It turns out that every show that plays our Fabulous Fox theater leaves behind a mural surrounded by signatures from everyone in that production. Every show. So, I figured there must be about 5 Phantom murals lurking in the catacombs that is backstage at the Fox. There are. Each past Phantom production has selected a different iconic image for their mural and they're amazing to see. One is of the Angel of Music and is painted on a wall between two dressing rooms, yet another is of the grand organ and is painted directly on the elevator doors, and an enormous "Phantom mask" graces the landing of the backstage stairs. There are others, both from past Phantoms and other musicals, my favorite being Avenue Q's irreverent upholstery of orange fur underneath the backstage stairs. But overall, it's a remarkable and richly visual history of the variety of talent and productions that have been presented at our own Fox Theater. I can't wait to see what this Phantom production leaves behind!
Late September (and sometimes early October) always heralds the start of the new arts season. There are Opening Nights all over town this month and there's nothing quite like the vibe of an Opening Night. There's something just a touch glamorous, a certain spark to being there on opening night. The artists are on their toes, the staff is eager to welcome you back, the venues are all spiffy, the performances are polished and ready to show off. So snoop around on the ArtsZipper calendar, or take a look at the partial list below, and make plans to add an Opening to your social calendar this year. You'll be glad you did!
If you love animals, have a solid sense of humor with a smidge of empathy, and really despair the desolation of the cheap motel décor, get yourself over to SLAM this weekend before the migration (empire) - linear version exhibit. Trust me, its nothing like it sounds. The title is totally misleading. What sounds like a high falutin' cerebral installation is, in fact, a hilarious look at the collision between wildlife and the painfully sterile manmade environment of the ubiquitous motel room. Why do we do this to ourselves? When you think about the natural habitat for wildlife, their sudden introduction into a motel room seems all the more shocking. And consequently, begs the question - why do we accept that kind of environment for ourselves? I'm not sure I can answer that, but it is worth pondering. And it's even more fun to see how a squirrel, a buffalo and more (sorry, no spoiler here) give the room a bit of their own energy and a bit of their own, shall we say . . . flair? Don't miss it. Through Labor Day (Monday, September 7th) at the Saint Louis Art Museum in Forest Park.
Mary Poppins rolls into the FOX Theater on August 14th for a 3-week run. Actor Karl Kenzler, a St. Louis native, plays the role of father George Banks, so we asked him for some perspective on this Supercalifragilisticexpialidocious show:
What's your connection to Saint Louis?
I have a lot of fond memories of St. Louis as I lived in Kirkwood until the age of six. Years later, I saw my first Broadway play at the Fox Theater in St. Louis. It was Cameron Mackintosh's LES MISERABLES. So, it's a real homecoming on two levels for me. I'll get to perform in my childhood hometown. And I'll be performing at the theater where I saw my first Broadway musical.
What sparked your interest in performing on Broadway?
I had always had an interest in acting as a kid. I took lessons from a very young age and performed in plays after school. My mom raised me on her own and once I expressed an interest, she quickly learned that the theater is an unbeatable babysitter.
Have you read any of the books by PL Travers how does the show differ from the book(s) and/or the Disney movie?
I've read the first book, MARY POPPINS, and I think that the play captures the spirit of Pamela Travers' books almost perfectly. There is a mischievousness to Mary in the books that carries through onstage. And of course the play is very faithful to the spirit of the Disney film as well. All of those amazing musical numbers from the Sherman brothers are there: Supercalifragilisticexpialidocious, Step In Time, Feed The Birds, Jolly Holiday. But the story has been expanded to include more of the father and mother. It's now a full-fledged Broadway musical play!
Tell us a bit about your character in Poppins?
I play "George Banks" -- the father in the play. And in this production, I think he actually needs Mary Poppins more than the kids do. He's very much stuck in this life as a buttoned-down banker. He's forgotten what it is to be a husband in love with his wife. He's forgotten what it is to be a dad who adores his children. And by the end of the play, he really has a transformation. With Bert and Mary's help, he reinvents himself.
What is your favorite scene?
There's a scene at the end of the play (it's in the film as well) where George has really hit rock bottom. He talks with Bert about how his life has completely fallen apart and he blames Mary Poppins. Bert helps him come around to see that maybe he needs to pay a bit more attention to his children -- while he can. As a kid, I watched this scene and thought of my own father. It gave me a real insight into what he might be going through as a busy professional man with a wife and children. Now I'm old enough to play the father and I have a chance to see it though grown-up eyes. It's pretty amazing.
As a father figure in the show, how would you encourage parents to bring their children to see live theater?
I've always thought that live theater is important because it's about telling stories. Stories set us apart from all the other animals on the planet. We tell ourselves stories to make sense of things. We tell stories to our children -- who tell stories to their children and so on and so on. This creates a kind of chain that connects us all throughout time. These stories last longer than we do. It's an amazing form of communication that is both comforting and educational. Storytelling is a communal event. The best way to teach a child to be a good human being is to let them take part in storytelling.
Mary Poppins will be at the Fox through August 30th. Tickets availble at Metrotix or at the Fox box office in Grand Center. There is a marvelous video of the show on the Fox website as well, check it out here.